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Katsukawa Shunkō I
Katsukawa Shunkō I ( ja, 勝川 春好; 1743 – 1 December 1812) was a Japanese artist who designed ukiyo-e-style woodblock prints and paintings in Edo (modern Tokyo). He was a student of Katsukawa Shunshō, and is generally credited with designing the first large-head actor portraits ( ōkubi-e). As his teacher did, Shunkō used a jar-shaped seal and was known as ("little jar"). At 45, the right-handed Shunkō became partially paralyzed and ceased designing prints, although he continued producing paintings with his left hand. Life and career Shunkō lived in Nihonbashi Hasegawachō in Edo (modern Tokyo) and was a student of Katsukawa Shunshō—possibly the master's first. His earliest known work are the illustrations to the book ''Talks about Debut Plays'' (''Kaomise shibai banashi'', 1766). From about 1771, he began to design '' yakusha-e'' actor prints, which he signed with a small jar-shaped seal that appeared next to a larger one by his master; from th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Signatures Of Katsukawa Shunkô I Reading From Left To Right- 'Katsukawa Shunkô Ga', And ' Shunkô Ga' With Jar-shaped Seal
A signature (; from la, signare, "to sign") is a Handwriting, handwritten (and often Stylization, stylized) depiction of someone's name, nickname, or even a simple "X" or other mark that a person writes on documents as a proof of identity and intent. The writer of a signature is a signatory or signer. Similar to a handwritten signature, a signature work describes the work as readily identifying its creator. A signature may be confused with an autograph, which is chiefly an artistic signature. This can lead to confusion when people have both an autograph and signature and as such some people in the public eye keep their signatures private whilst fully publishing their autograph. Function and types The traditional function of a signature is to permanently affix to a document a person's uniquely personal, undeniable self-identification as physical evidence of that person's personal witness and certification of the content of all, or a specified part, of the document. For examp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanji
are the logographic Chinese characters taken from the Chinese family of scripts, Chinese script and used in the writing of Japanese language, Japanese. They were made a major part of the Japanese writing system during the time of Old Japanese and are still used, along with the subsequently-derived syllabic scripts of ''hiragana'' and ''katakana''. The characters have Japanese pronunciation, pronunciations; most have two, with one based on the Chinese sound. A few characters were invented in Japan by constructing character components derived from other Chinese characters. After World War II, Japan made its own efforts to simplify the characters, now known as shinjitai, by a process similar to China's simplified Chinese characters, simplification efforts, with the intention to increase literacy among the common folk. Since the 1920s, the Japanese government has published character lists periodically to help direct the education of its citizenry through the myriad Chinese characte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1812 Deaths
Year 181 ( CLXXXI) was a common year starting on Sunday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Aurelius and Burrus (or, less frequently, year 934 ''Ab urbe condita''). The denomination 181 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Imperator Lucius Aurelius Commodus and Lucius Antistius Burrus become Roman Consuls. * The Antonine Wall is overrun by the Picts in Britannia (approximate date). Oceania * The volcano associated with Lake Taupō in New Zealand erupts, one of the largest on Earth in the last 5,000 years. The effects of this eruption are seen as far away as Rome and China. Births * April 2 – Xian of Han, Chinese emperor (d. 234) * Zhuge Liang, Chinese chancellor and regent (d. 234) Deaths * Aelius Aristides, Greek orator and w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1743 Births
Events January–March * January 1 – The Verendrye brothers, probably Louis-Joseph and François de La Vérendrye, become the first white people to see the Rocky Mountains from the eastern side (the Spanish conquistadors had seen the Rockies from the west side). * January 8 – King Augustus III of Poland, acting in his capacity as Elector of Saxony, signs an agreement with Austria, pledging help in war in return for part of Silesia to be conveyed to Saxony. * January 12 ** The Verendryes, and two members of the Mandan Indian tribe, reach the foot of the mountains, near the site of what is now Helena, Montana. ** An earthquake strikes the Philippines * January 16 –Cardinal André-Hercule de Fleury turns his effects over to King Louis XV of France, 13 days before his death on January 29. * January 23 –With mediation by France, Sweden and Russia begin peace negotiations at Åbo to end the Russo-Swedish War. By August 17, Sweden cedes all ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Douglas Lane
Richard Douglas Lane (1926–2002) was an American scholar, author, collector, and dealer of Japanese art. He lived in Japan for much of his life, and had a long association with the Honolulu Museum of Art in Hawaii, which now holds his vast art collection. Life Lane was born in Kissimmee, Florida. After graduating from high school in 1944, during World War II, he enlisted in the United States Marine Corps. In the Marines he trained as a Japanese translator, and served in Japan during the war. He later received a bachelor's degree from the University of Hawaii in Japanese and Chinese literature, and continued his studies at Columbia University, where he earned a master's degree and a PhD in 18th-century Japanese literature. In 1957, Lane moved to Japan, where he lived for the rest of his life. Lane was never on a university faculty, but supported himself as an author, dealer and consultant. He was a visiting research associate at the Honolulu Museum of Art from 1957 to 1971, durin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shunkōsai Hokushū
Shunkōsai Hokushū (春好斎 北洲), who is also known as Shunkō IV, was a designer of ukiyo-e style Japanese woodblock prints in Osaka who was active from about 1802 to 1832. He is known to have been a student of Shōkōsai Hambei, and may have also studied with Hokusai. He used the name Shunkō (春好) until 1818, when he changed his name to Shunkōsai Hokushū. He was the most important artist in Osaka during the 1810s and 1820s and established the Osaka style of actor prints ''Yakusha-e'' (役者絵), often referred to as "actor prints" in English, are Japanese woodblock prints or, rarely, paintings, of kabuki actors, particularly those done in the ''ukiyo-e'' style popular through the Edo period (1603–1867) and in ....Newland, 2005, p. 488 Notes References * Keyes, Roger S. & Keiko Mizushima, ''The Theatrical World of Osaka Prints'', Philadelphia, Philadelphia Museum of Art, 1973, 266. * Lane, Richard. (1978). ''Images from the Floating World, The Japa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shunbaisai Hokuei
Shunbaisai Hokuei ( ja, 春梅斎 北英; d. 1837), also known as Shunkō III, was a designer of ukiyo-e style Japanese woodblock prints in Osaka, and was active from about 1824 to 1837. He was a student of Shunkōsai Hokushū Shunkōsai Hokushū (春好斎 北洲), who is also known as Shunkō IV, was a designer of ukiyo-e style Japanese woodblock prints in Osaka who was active from about 1802 to 1832. He is known to have been a student of Shōkōsai Hambei, an .... Hokuei’s prints most often portray the kabuki actor Actor Arashi Rikan II as Osome (Ryūsai Shigeharu), Arashi Rikan II. Shunbaisai Hokuei should not be confused with Tōkōen Hokuei (桃幸園 北英), an early 19th-century Edo (Tokyo) printmaker who is also commonly referred to as "Hokuei".Roberts, 1976, p. 48 Notes References * Keyes, Roger S. & Keiko Mizushima, ''The Theatrical World of Osaka Prints'', Philadelphia, Philadelphia Museum of Art, 1973, 265. * Richard Douglas Lane, Lane, Richa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Katsukawa Shunsen
, who is also known as Shunkō II, was a designer of books and ukiyo-e style Japanese woodblock prints. He was born in 1762 and designed prints from about 1805 to about 1821. He initially studied with the Rimpa school artist Tsutsumi Tōrin III. In 1806 or 1807, Shunsen became a student of Katsukawa Shun'ei, and changed his name from “Kojimachi Shunsen” to “Katsukawa Shunsen”. In 1820 he succeeded Katsukawa Shunkō I, becoming Katsukawa Shunkō II. In the late 1820s, he ceased producing woodblock prints and devoted himself to painting ceramics. He died about 1830. Shunsen is best known for his genre scenes, landscapes A landscape is the visible features of an area of Terrestrial ecoregion, land, its landforms, and how they integrate with Nature, natural or man-made features, often considered in terms of their aesthetic appeal.''New Oxford American Dictionar ..., and prints of beautiful women. Gallery File:Shunsen - (h) carp fishing.jpg, Untitled woodblock pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shibaraku
''Shibaraku'' (暫, しばらく) is a play in the Kabuki repertoire, and one of the celebrated ''Kabuki Jūhachiban'' ("Eighteen Great Plays"). The play is noted for its flamboyantly dramatic costumes and makeup (''kumadori''). {{citation needed, date=May 2017 The English translation of the title is akin to "Stop a Moment!" Originally staged by Ichikawa Danjūrō I in 1697 at the Nakamura-za, it was very popular, and quickly began to be included at the annual '' kaomise'' celebrations of each theatre in Edo. For a time, the main role was frequently different, depending on the whims of the theatre and the troupe. The piece was standardized somewhat in the early 19th century by Danjūrō VII, and reworked again by Danjūrō IX at the end of that century. This version has been performed since then. A scene of roughly 50 minutes, ''Shibaraku'' is not a play unto itself, but a short drama inserted during interludes or in between full plays to provide variety and maintain a certa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukiyo-e
Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ai ... of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Flora of Japan, flora and Wildlife of Japan#Fauna, fauna; and Shunga, erotica. The term translates as "picture[s] of the floating world". In 1603, the city of Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The ''chōnin'' class (merchants, craftsmen and workers), positioned at the bottom of Four occupations, the social order, benefited the most from the city's rapid economic growth, and began to indulge in and patronise the entertainment o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Posthumous Name
A posthumous name is an honorary name given mostly to the notable dead in East Asian culture. It is predominantly practiced in East Asian countries such as China, Korea, Vietnam, Japan, and Thailand. Reflecting on the person's accomplishments or reputation, the title is assigned after death and essentially replaces their name used during life. Although most posthumous names are assigned to royalty, some posthumous names are given to honor significant people without hereditary titles, such as courtiers or military generals. A posthumous name should not be confused with era names (年號), regnal names (尊號), or temple names (廟號). Format One or more adjectives are inserted before the deceased's title to make their posthumous name. Posthumous names are exclusively owned on the state level, although not necessarily on a broader national level. The name of the state or domain of the owner is added to avoid ambiguity from multiple similar posthumous names. The Chinese languag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sharaku
Tōshūsai Sharaku ( ja, 東洲斎 写楽; active 1794–1795) was a Japanese ukiyo-e print designer, known for his portraits of kabuki actors. Neither his true name nor the dates of his birth or death are known. His active career as a woodblock artist spanned ten months; his prolific work met disapproval and his output came to an end as suddenly and mysteriously as it had begun. His work has come to be considered some of the greatest in the ukiyo-e genre. Sharaku made mostly ''yakusha-e'' portraits of kabuki actors. His compositions emphasize poses of dynamism and energy, and display a realism unusual for prints of the time—contemporaries such as Utamaro represented their subjects with an idealized beauty, while Sharaku did not shy from showing unflattering details. This was not to the tastes of the public, and the enigmatic artist's production ceased in the first month of 1795. His mastery of the medium with no apparent apprenticeship has drawn much speculation, and rese ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
